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	<title>MarylandFilms.com &#187; high definition</title>
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	<link>http://marylandfilms.com</link>
	<description>Photography &#38; Cinematography Blog for Maryland, DC, VA, WV, PA (Mid-Atlantic)</description>
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		<title>The Canon 7D</title>
		<link>http://marylandfilms.com/2010/06/the-canon-7d/</link>
		<comments>http://marylandfilms.com/2010/06/the-canon-7d/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 15:39:57 +0000</pubDate>
		<dc:creator>Frey</dc:creator>
				<category><![CDATA[Cameras]]></category>
		<category><![CDATA[high definition]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[canon 7d]]></category>
		<category><![CDATA[canon eos 7d]]></category>

		<guid isPermaLink="false">http://marylandfilms.com/?p=725</guid>
		<description><![CDATA[Ever thought about buying a darned good still photography camera? But then, someone starts talking about shooting video for a commercial? Well look no further than the Canon EOS 7D. It does both still photography and video really well.

Unlike it&#8217;s full-framed, bigger, brother, the Canon 5DMII, the Canon 7D has an APS-C sensor, which is about the same size as a 35mm Motion Picture frame. The smaller sensor allows easier focus pulling when you&#8217;re doing video (due to the greater depth of field) than the 5DMII. But get this &#8211; the still pictures are still phenomenal!
At 18MP, this camera can attain the resolution you want and deserve. It&#8217;s slightly noisier (apparently due to image sharpening) than the 5DMII, but the average prints will not show that noise. Even more, the average photographer doesn&#8217;t really need more than 10MP photos. I know wedding photographers using the 5DMII, which shoots up to 21MP images, ...]]></description>
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		<title>Cheap Professional Video?</title>
		<link>http://marylandfilms.com/2009/07/cheap-professional-video/</link>
		<comments>http://marylandfilms.com/2009/07/cheap-professional-video/#comments</comments>
		<pubDate>Tue, 07 Jul 2009 01:25:55 +0000</pubDate>
		<dc:creator>Frey</dc:creator>
				<category><![CDATA[high definition]]></category>
		<category><![CDATA[professional video]]></category>

		<guid isPermaLink="false">http://marylandfilms.com/?p=643</guid>
		<description><![CDATA[I know everyone gets the occasional phone call from the &#8220;tire-kicker&#8221;, or the call from someone wanting a high end commercial, complete with special effects and an entire stadium full of children that will help sell their product&#8230; All for $10.
But I&#8217;ve had several of these kinds of calls lately and felt like venting a little. Here&#8217;s a few of the lines I&#8217;ve heard: &#8220;But it should only take an hour!&#8221; And, &#8220;I only want a one minute commercial!&#8221; And my personal favorite, &#8220;He just needs some light and you can shoot him against a black background&#8230; You do shoot High Definition, correct?&#8221;
I&#8217;m not sure why people want me to work for so cheap, but I know that my experience is worth more than $5 an hour. And I bought my professional video equipment with real money&#8230;
Anyway, just had to vent a little. Anyone else get these kinds of calls?
 ...]]></description>
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		<title>Crank: High Voltage Shot with High Definition Camcorders</title>
		<link>http://marylandfilms.com/2009/05/crank-high-voltage-shot-with-high-definition-camcorders/</link>
		<comments>http://marylandfilms.com/2009/05/crank-high-voltage-shot-with-high-definition-camcorders/#comments</comments>
		<pubDate>Fri, 01 May 2009 16:07:04 +0000</pubDate>
		<dc:creator>Frey</dc:creator>
				<category><![CDATA[high definition]]></category>
		<category><![CDATA[HDV workflows]]></category>
		<category><![CDATA[High Definition Camcorders]]></category>
		<category><![CDATA[High Definition Canon]]></category>

		<guid isPermaLink="false">http://marylandfilms.com/?p=579</guid>
		<description><![CDATA[I&#8217;ve been meaning to talk about this for the past few days:
I saw the movie &#8220;Crank: High Voltage&#8221; this week. If you don&#8217;t know about this film, Jason Latham stars in this action film that was apparently shot with small High Definition Camcorders (as compared to the big Panavision film rigs). Apparently, they used the High Definition Canon XHA1 and HF10 to help keep the costs of the film down (the film&#8217;s budget was only $20,000,000).
If you don&#8217;t know anything about these High Definition Camcorders, the larger one of the two is the High Definition Canon XHA1 &#8211; kind of considered the &#8220;prosumer&#8221;model. The other is the High Definition Canon HF10. Both are both fairly cheap HDV cameras (especially when compared to an ARRI d20 or even the RED), to say the least. So the &#8220;look&#8221; looks like cheap video throughout the film.
What I did not see though (and believe ...]]></description>
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		<title>Video Production Companies: Want to Meet Others in your Area?</title>
		<link>http://marylandfilms.com/2009/04/video-production-companies-want-to-meet-others-in-your-area/</link>
		<comments>http://marylandfilms.com/2009/04/video-production-companies-want-to-meet-others-in-your-area/#comments</comments>
		<pubDate>Thu, 30 Apr 2009 16:08:34 +0000</pubDate>
		<dc:creator>Frey</dc:creator>
				<category><![CDATA[high definition]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[video production companies]]></category>

		<guid isPermaLink="false">http://marylandfilms.com/?p=572</guid>
		<description><![CDATA[I&#8217;d like to comprise a list of Video Production Companies in the area. If you are a member of one of these video production companies that wants to network with others (small or large, it doesn&#8217;t matter the size of your company), then please use the comments section to add your name, your company name, and a link to your site.
Why? Because networking is where its at in the film/video industry. Those Video production companies that network end up getting their names out there a lot more than those that don&#8217;t&#8230;
So go ahead and list yourself and your company name already!
  Convert this post to pdf]]></description>
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		<title>Casting Call: Actor Audition for Short Film Set in Baltimore, Towson</title>
		<link>http://marylandfilms.com/2009/03/casting-call-actor-audition-for-short-film-set-in-baltimore-towson/</link>
		<comments>http://marylandfilms.com/2009/03/casting-call-actor-audition-for-short-film-set-in-baltimore-towson/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 02:30:33 +0000</pubDate>
		<dc:creator>Frey</dc:creator>
				<category><![CDATA[acting]]></category>
		<category><![CDATA[high definition]]></category>
		<category><![CDATA[maryland]]></category>
		<category><![CDATA[actor audition]]></category>
		<category><![CDATA[casting call]]></category>
		<category><![CDATA[short film]]></category>

		<guid isPermaLink="false">http://marylandfilms.com/?p=488</guid>
		<description><![CDATA[Aaron Steven of 4th Cinema Productions in Towson, MD sent in this CASTING CALL for Actor Auditions:
Short Film set in Baltimore is casting one Caucasian male age range 28-35 for dramatic character study &#8220;Bear It Away&#8221;. Shooting in HD format April 7th-13th 2009. Non-Union preferred.
Synopsis: A man who lost everything and everyone in his life wanders the city aimlessly. He searches everywhere for the answer to why his life fell apart only to realize all he needs is a fresh start.
You can email Aaron at 4thcinemaproductions@gmail.com
  Convert this post to pdf]]></description>
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		<title>RedRock, Letus35, and P+S Technik 35mm DOF Adapters, Ground Glass, and Lenses Explained</title>
		<link>http://marylandfilms.com/2008/06/redrock-letus35-and-ps-technik-35mm-dof-adapters-ground-glass-and-lenses-explained/</link>
		<comments>http://marylandfilms.com/2008/06/redrock-letus35-and-ps-technik-35mm-dof-adapters-ground-glass-and-lenses-explained/#comments</comments>
		<pubDate>Wed, 04 Jun 2008 15:44:57 +0000</pubDate>
		<dc:creator>Frey</dc:creator>
				<category><![CDATA[high definition]]></category>
		<category><![CDATA[other]]></category>
		<category><![CDATA[pre-production]]></category>
		<category><![CDATA[35mm dof adapter]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[dof adapter]]></category>
		<category><![CDATA[dx]]></category>
		<category><![CDATA[fx]]></category>
		<category><![CDATA[hvx200]]></category>
		<category><![CDATA[nikon]]></category>
		<category><![CDATA[redrock]]></category>

		<guid isPermaLink="false">http://marylandfilms.com/?p=385</guid>
		<description><![CDATA[Some friends were asking questions about why their Nikon zoom lens was getting vignetting with their new 35mm DOF Adapter (a RedRock Micro35 M2 unit) and Panasonic HVX200 (actually its an HVX200a).
First, we need to talk about frame sizes, for everyone to properly understand the playing field:
The Academy 35mm frame (the standard 35mm Cinema frame) is 22mm×16mm; The Super-35mm/Silent-35mm frame is 24.89mm×18.66mm; Still photography 35mm (aka &#8220;135&#8243;)/Nikon FX frame is 24×36mm; and finally the Nikon DX frame is 23.7&#215;15.5mm.
Second, as you may have noticed above, there are two different Nikon formats: Nikon FX, which is made for the standard full frame of film and the Nikon DX, which is made for the smaller digital chips. Notice that Nikon DX is smaller than the standard Super35 frame (by 1.2mm in width x 3.1mm in height) as well as shorter than the Academy frame (by 0.5mm), which these slightly smaller frames can ...]]></description>
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